Notes from lesson on Thursday 14 September 2017
SEMIOTICS
Semiotics are signs and symbols to be put into a media context to mean something else…
We need to understand how meaning is
conveyed…
“Ghost Ship” Opening
EVENT/SIGNS/USE
|
SEMIOTIC
AND EFFECTS
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Pink and handwritten fonts
used without.
|
Provides a false sense of
security to the audience. It seems like a Disney film. They sometimes also
slice the screen.
|
An isolated empty ocean,
only one ship.
|
Reminds audience on the
Titanic. It uses intertextuality*. Audiences know that something is going
wrong.
|
Pathetic Fallacy
|
Dark and dreary weather. A
warning sign.
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Lights
|
We can already see the
wire that will kill everyone, and there isn’t a lot of lights on at the
bottom of the ship. We are clocking the lights, and we have a sense of familiarity.
We are getting used to the set first.
|
Sharp Slices
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Below is very circular,
but upstairs is very sharp. I.E. slicing through the flowers, which are
innocent. FORESHADOWING: Girl is below the slice line.
|
All of the dissolves and a
long camera angle.
|
Creates a relaxed atmosphere.
Long shots and fading, nothing is going wrong. Dual meaning though. We can be
lead down two routes.
|
The lady.
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Wearing red, luring voice
and people do as her say. She is a little seductive. This is important, as
the next time we see red, it is the blood.
Red gloves and chopping motions. A lot slices the screen very harshly. Gets the audience used to it. |
The villain
|
He is extremely slow moving,
and in the centre of the shot. The scarred face and eyebrows make a very mean
look. Audiences know something is up.
|
The Girl
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The girl is a cliché horror
story event. Creating a sense of innocence, the importance is established.
|
Eyeline match
|
See someone’s eyes, and
they show what they are looking at. The hands and the nod of the man tells
that this is the signal to start the attack. THIS IS A CO-ORDINATED OPERATION. They want to steal the ship.
|
Music throughout the
opening.
|
At the same time showing a
normal scene, there is a slight sense of danger, especially as audiences know
the name of the film.
|
Statue with no Limbs
|
A stone version of what we
are going to see…
|
Preview scene of the wire
at the start.
|
Looks innocent enough, but
clearly, the camera position could show audiences that something is about to
go on.
|
Engines ON
|
The first sign of impeding
danger when the engines are started. Quick transitions on the wire, music
change and colours go darker, it makes it tense. WHO WAS TURNING IT ON? There
is close-up and more circles spinning.
|
Voice drowned out with cliché
sound effects.
|
Furthermore, some speeds
up, and others slow right down to make climax and tension. 12 different shots
in a few seconds. Slow as the slicing occurs, close depth of focus to bring
to attention. It’s visually slicing it. We are also the camera, showing
through the captain. Now dripping in blood…
|
Silence after cutting
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‘what has happened’? Slow
motion and details to injury show viewers exactly what happened. The
realisation becomes clear, the audio hurts. Prolonging Keep to Watching.
|
Repeated Scene After the
Event (tableau)
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Still moment showing the
entire contrast of the event, red and contrast. This is a direct mirroring of
earlier.
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Relaxed atmosphere
|
Calm, slow music, helpful
staff and encouraging to go to deck create a false sense of security.
|
Woman looking up
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Shows viewers that
something is about to happen.
|
*Meaning: where one
film/text references another…
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